A Rich History
Jazz Greats! ...In Windsor?
The Elmwood Casino Hotel - the swankiest night club in the district - opened in 1946, beginning an era of big names, top bands and putting Windsor on the big time entertainment circuit. One such name was jazz legend Ella Fitzgerald - who performed in February of 1971. This Advertisement in a local newspaper (most likely the Windsor Star, but the exact origin is unknown) documents Fitzgerald's arrival in Windsor.
Many Windsor musicians were actually employed by the Elmwood for years - those that are still around pass on stories to young players in the city who struggle to find work about "the old days" when they were working six nights a week and getting paid a decent wage for their talents.
Gil Grisutti, a Windsor saxophone player and high school music teacher, is one of the musicians who played with Ella Fitzgerald back in 1971. Today, he still teaches a sizeable studio of saxophone, clarinet and flute students in both the classical and jazz idioms. People like Gil have inspired new generations of musicians to study jazz and keep the tradition going in Windsor.
The "Jazz" Era
(Prohibition)
Being a border city (and the home to one of Canada's first Whiskey distilleries), Windsor's history is very much linked to American Prohibition in the 1920s ... And prohibition played a huge role in the rising popularity of jazz music, having a large impact on its history...
As C.H. (Marty) Gervais puts it:
"They came to the Canadian shoreline to feast upon the hearty seafood and chicken dinners, soak up the lush, elaborate speakeasies and toss away easy-come, easy-go money in long, bustling, upstairs rooms crammed with gambling table sand flappers...
On those nights, music filtered out from wide verandas and gingerbread barrooms of fabulous roadhouses. Everyone within was caught in amid whirl of music and dancing, safe in the knowledge that although it was illegal to guzzle and gamble, trusty beady-eyes “spotters” stationed in second-storey windows or makeshift towers were ready to sound the alarm, warning of a police raid."
This speakeasy atmosphere greatly contributed to the branding of jazz as "America's music," but many Americans sometimes seem to neglect the fact that it is not ONLY America's music...
There were many venues on BOTH sides of the border in which live jazz could be heard on any given day of the week. One such venue on Windsor's side of the border was the Rendezvous Tavern.
Jazz was played in a wide variety of venues around town. Some histories have only survived through brief advertisements, now hidden in archives across the city... For example, this ad for the Serious Moonlight Cafe (1412 Wyandotte St. E) was taken from the first known concert at the University of Windsor School of Music to include jazz selections on the program - "A Classical and Jazz Benefit Concert for the School of Music" featuring Alexander Zonjic, the Alexander Zonjic Quintet, and members of the School of Music faculty. The Advertisement specifically mentions that they have live jazz on Sunday nights.
Other venues have only survived in the brief descriptions on YouTube videos - like this video of Windsor native Tom Borshuk playing at a place called Traiteurs Bistro in Windsor.
Tom Borshuk is one of Windsor's jazz legends - His name still comes up in any conversation with seasoned jazz musicians about this city's musical history. Although he passed away at a young age, his legacy lives on in many of Windsor's top jazz musicians today.
The following video shows him performing at a small bistro in Windsor with Regina Carter - a Detroit-native violinist who would soon become a legend in the both the local Detroit scene and the international scene. It has been said that Tom Borshuk gave her career its start...
The Top Hat was one of the last of its kind in the region, a genuine 50s-60s era supper club that featured old-style lounge acts, impersonators and comedians for the cocktail set until its close in the late 1990s. Windsor had a thriving supper club scene, with venues such as the Metropole and Elmwood Casino. Although it was home to a large variety of acts, local jazz groups were regularly featured on its stage. Numerous musicians still tell stories of this music venue -
Kevin Masterson, Mike Stone, Mike Seguin, Phil Seguin, and Bob Fazecash to name a few.
The Top Hat was demolished to make way for a Burger King restaurant in 2008.
Later in the 90s, there were a number of new venues, with a new generation of jazz musicians to fill them. One such venue was Fanny's Starlight Lounge in downtown Windsor.
This video (taken on September 8th, 1993 at Fanny's) showcases the Peabody Bridge Demolition Crew Big Band, a group of local musicians who have gone on to become educators and mentors, leading the way for young musicians interested in the genre. This particular song was written by Mike Stone for the band, entitled "The Man in the Empty Suit." Other videos from this show are available on YouTube, and include jazz standards such as "Mack the Knife" and "God Bless the Child."
Windsor Jazz Series'/Festivals
Local traditional-jazz performer, Hugh Leal, started his career as a jazz promoter in Windsor in 1977, bringing some of the then-remaining pioneers of 1920's and 30's "hot jazz" such as Wild Bill Davison, Vic Dickenson, Doc Cheatham, Art Hodes, Buddy Tate, Bud Freeman, Sammy Price, Franz Jackson and Cozy Cole. Later promotions (including five Windsor Jazz Festivals 1992 to 1996) featured artists Tommy Flanagan, Zoot Sims, Mundell Lowe, Ray Bryant, Rob McConnell, Oliver Jones, Bucky Pizzarelli, Peter Appleyard, Ed Bickert and many others. From 1987 until his 2015 passing, trumpeter Marcus Belgrave became a major focus of Leal's promotional work.
Leal's Promotional work would consist of three or four jazz shows every year - presented either as night-club/saloon "cabarets concerts" or productions at some of Windsor's main concert stage venues: The University of Windsor, Mackenzie Hall, and The Art Gallery of Windsor. This trend has lasted over 30 years, and has had a major impact on the jazz scene in Windsor - bringing high quality groups of musicians to the city and putting Windsor on the map! Leal's concerts focus on the traditional, or "hot jazz" styles, and have influenced countless Windsor musicians over the decades.
Leal's promotions include:
Hugh Leal Presents (1977 to 1980), the Art Gallery of Windsor Jazz Series (1981 to 1992), the Windsor Jazz Series and Windsor Jazz Festivals (1993 to 2000), and culminating with theThe Capitol Theatre Jazz Series (2001 to 2006).
Leal continues jazz promotion with a current series featuring his Speakeasy Quartet at historic Mackenzie Hall. For More information on the Speakeasy Quartet, visit The Current Scene page.
A New Generation
In the early 2000's, a new generation of jazz musicians arrived on the scene, eager to challenge perceptions of the music and create a safe place for those who wanted to experiment - a popular trend in the worldwide scene at that time.
These players found a long-time home at what would soon become one of Windsor's iconic downtown hangouts - Milk Coffee Bar. The tiny fixture on University Avenue in the heart of the city, was like no other place in the city - established in 1998 to "nurture the creative spirit of Windsor," it featured local art on its walls and local music of all genres on its stage. Playing at Milk became a rite of passage for bands in Windsor.
Early on, Milk became a central location for the jazz community with the creation of the Monday Milkmen - a group of young musicians who started their long tenure at the bar in 1999. Every Monday for almost a decade, this collective would hold a jam session, encouraging musicians from all over town to bring their instruments and sit in. The post-jam conversations between musicians and jazz enthusiasts are a main reason for the survival of the jazz community throughout the years; The Monday night jazz shows at milk were not by any means formal, sit-down events... They were friendly hangouts - the music peaked people's interests and curiosity, but it was the conversations, laughs, and lessons (both musical and philosophical) that kept them coming back week after week.
The video below, filmed by Tom Lucier (owner of Phog Lounge and avid show promoter in the Windsor area) documents an interview with the owner of Milk Coffee Bar, Angelo Marignani. The two bar owners discuss the impact that Milk Coffee Bar has had on the local community, and the legacy of the Monday Milkmen.
In an interview with the bandleader of the Monday Milkmen, Phil Whitfield provided a sort of "mission statement" for the group:
"The over all premise of The Monday Milkmen was to play and play for real. There were no limits and no preconceived notions about anything. There were no mistakes, just pure playing. As it went on, I began using it more as a teaching/mentoring/experience thing for younger musicians who were just starting to try improvised music. I would allow them to experiment and encourage them to try things that schools would frown upon... Basically, learn how to play free and then you have a good groundwork [for when you start learning the “rules” of improvisation].
I also tried to help younger players understand groove and rhythm, and HOW to play in a group. The concept of 2 & 4 was the one cardinal rule that could never be broken. Players that phrased on 1 & 3 usually didn't last very long...
I always tried to avoid the label of "jazz" because that is a very outdated and overused term. I always referred to it as improvisatory music... Since that is what we did. It wouldn't be odd to hear us do straight-ahead swing versions of Black Sabbath, or Mariachi Reggae [versions] of Ke$ha or Britney Spears (sometimes at the same time...). Sometimes people would yell things out like "Play some Justin Beiber"... So we would.
There was more to “The Mondays” (as they were known) than just going to see a band play down some music. We would try to entertain the audience, as well as ourselves. Trying to get someone to screw up because they were laughing was a constant goal; we never took ourselves too seriously. It's all only music after all. No biggie. Through the use of skits and audience participation, “The Mondays” were more of a happening than a gig - which, as many people have told me, was a big part of their success and helped establish Milk as the cool place to hang."
- Phil Whitfield, 2017
The video below perhaps best displays the uniqueness of these Monday night jams. It also shows the direction jazz was heading in at this time - many modern jazz musicians (inspired by Miles Davis, John Coltrane, and other such giants) were experimenting with the music, taking it away from conventions and into new, unexplored territory. Whitfield would start off every night with a group improvisation, this is one of them:
The Monday Milkmen nurtured the jazz scene in Windsor for many years. In 2012, the Milkmen moved to another downtown bar just around the corner from Milk, called Villains Beastro. Unfortunately, this tenure did not last very long, ending in 2013. Although they no longer play together, the legacy of the Milkmen lives on...
Phil Whitfield's policy of using the jam session to mentor younger players and change their perceptions about jazz has inspired a whole new generation of musicians to keep the jazz tradition alive in this city, and created new enthusiasm around a music that was "outdated."
The Monday Milkmen recorded three studio albums, (pictured). These albums are in the style of jazz-funk and jazz-fusion, and represent original jazz music written and composed in Windsor - which says a great deal about the vibrancy of the jazz scene in this city.
Click through the gallery to read the album notes - they provide insight into the nature of the Milkmen's music, and prove Phil Whitfield's statement that they "never took themselves too seriously."
Phil Whitfield provided a list of musicians who played with the Monday Milkmen over the years. The length and scope of this list speak to the impact of the group - many of the musicians currently working in the jazz scene have some connection with the Milkmen. The amount of American musicians on the list also illustrates the profound influence that Detroit has has had on the scene, discussed in The Detroit Influence section.
Leader:
Philip Whitfield - Keyboards/Guitar/Vocals
Drummers:
Rick Marchand
Brad Helner
Djallo Djakate Keita*
Damon Soumas
Kevin Venney
Vanessa Harnish
Rick Beamon*
Bass:
Jackson Drobko
Josh Zalev
Ramsey Hussain*
Dan Zylinski*
Issa Sal*
Brad Merrifield
Guitar:
Dusty D'annunzio
Scott Hughes
Al Penner
Justin Rock*
Trumpet:
Marco Coco*
Stefan Seslija (also played keyboards)
Sax:
Len Temelini
Jacob Kraus
Marc Funkenhauser
Katie Moore
Trombone:
Jackson Drobko
Curtis Perrin
Flute:
Sachi Angel
Vocals:
Genevieve Marrentette
Ibn Pori Pitts*
*=American musicians
In May 2015, a new group would take up residence at Milk Coffee Bar and try their hand at creating a hangout for the jazz scene - they were called The Coffee House Combo... Yet another group who derived their name from the iconic downtown bar. Thanks to the legacy of the Milkmen, there was already an audience hungry for jazz in the downtown area, so these new jazz nights were a great success. Read more about the Coffee House Combo in The Current Scene section.
Milk Coffee Bar took new ownership in March 2016, but was later closed in December of 2016. The future of this iconic downtown music venue is currently unclear.